SONGLINES MAGAZINE about Duo Naranjo-Weurlander new album Infinity
Naranjo’s “Soleil”…with its closing drama of pounding piano and high-piches accordion, is enjoyably dramatic..”
“…it´s in moments when the fire or pathos of tango come to the surface that it gets nearest to taking flight…”
ORKESTERJOURNALEN
The two musicians are exquisitely skilled instrumentalists and they convey their music forward with deftness “…
…”alternating heavyness and sharpness and indicating certain sadness …”
På svenska (Swedish) Violeta Parra 100 år Gala Recension Sydsvenskan
- “Konsertens nav var dock Tania Naranjo, som uttryckte kärleken till Violeta Parra med sin historia och hela person…
“Mötet på scenen med Arja Saijonmaa blev naturligtvis starkt. Att sedan Tania Naranjo kvällen igenom spelade virtuost piano och med sin mörka röst sjöng både storslaget passionerat och stilla återhållet gjorde knappast det hela sämre.”
På svenska (Swedish) ARTIKEL om Tania/LIRA MAGASIN
“Every song swings in great fashion” Lira Magazine
“Her very personal Latin-Jazz style swings very beautifully”
Sydsvenskan
“Tania Naranjo’s composition, Spirits, seduced me with her mysterious vocals.” Piteå Tidning
“Tania accentuates with a liberal and yet powerful playfulness. Her vocals were also as beguiling as they were seductive.” Jönköpingsposten
“Tania Naranjo gave a highly evocative concert …”
TV Skierniewice- Poland (Ethnosfera Festival)
Naranjos composition. Andes, was very beautiful with harmonies and a mood that had a lot in common with Piazzolla’s new tango. (About Duo Naranjo-Weurlander)
Sydsvenskan
“An intense feeling of life Concert Notes from Latin America…Genuine playfulness and joy of singing.” Ystad Allehanda
“With her rhythmic beautiful music and her warm charisma. Tania Naranjo sang and played herself straight into the hearts of the audience” Götene Tidning
“Tania Naranjo made a brilliant performance” Liberación
El Mercurio- Chile Article:
About Orange Tech & Latin Ensemble:
Stram musik, disciplinerad, men suggestiv, viljestark och sugen på utbrytningar och improvisationer. En sorts ödesmättad värdighet styrde och band samman tillsammans
med ”berättaren” Tania Naranjos sång, som fick bli omväxlande mörk dramatisk, flickaktig, teatral och rent lekfullt… SYDSVENSKAN
CHILEAN NEWSPAPER – La Tercera about Orange Tech & Latin Ensemble
