TANIA NARANJO “ROSOR” – ALBUM
“Tania Naranjo sjunger Boye, Kahlo och Södergran känslosamt och vackert”
“Slutpunkten är också en höjdpunkt. Boyes fantastiska “Stjärnorna”, samtidigt uppgiven och stark och extra känsligt sjungen”
Agrell-Sydsvenskan
“Våra folkkära nordiska poeter tolkas på ett helt nytt sätt. Den svala stilla melankoli får blomma upp i blodrött såsom en argentinsk Mercedes Sosa eller en mexikansk Lila Downs kunde ha givit de röst; men det är chilensk svenska Tania Naranjo som tonsatt Edith Södergrans ”Vad är imorgon” (Sveriges Radio P2)
“Naranjo lyckas väl med att klä dikterna i fina, eteriska melodier…det briljeras med urstarka zamba-drivna Árbol de esperanza med text av Frida Kahlo. Även i Alas rotas, också den med text av Mexikos berömda konstnär, lyfter plattan rejält inte minst med sin fina stämsång” (LIRA Musikmagasin)
TRUE MUSIC PROJECT- ALBUM
“Låtarna speglar känslor av ensamhet, längtan, tillhörighet, vilsenhet, kärlek, sorg. Det ligger nära att använda termen saudade”
“The songs reflects feelings loneliness, longing, belonging, loss, love, sadness. It is close to using the term saudade.
“Allt är säkert och professionellt genomfört, men hela tiden med kommunikationen intakt.Bäde i sången mellan de två huvudpersonerna -vars röster matchar varandra så väl-och mellan musiker och lyssnare. Projektets namn talar sannerligen sanning.”
“Everything is performed safely and professionally, but all the time with communication intact. Both in the singing between the two main characters-whose voices match each other so well-and between musician and listener. The name of the project certainly speaks the truth.”
Timo Kangas- LIRA MAGAZIN
TRUE MUSIC PROJECT- ALBUM “Nära och rökiga vardagsbilder” – “Närmast chockartad inpå huden kommer vardagsbilderna i “Sin gilla gång”, albumets tredje spår. Sallmanders ord får plötsligt en ömsint skärpa och Naranjo har format en djupt romantisk succémelodi med subtila harmoniska skiften som verkar som uppropstecken i det lilla.”
Mattias Gejrot- Ystads Allehanda
3/9-21 at Malmö Live
TANIA NARANJO – MALMÖ SYMPHONY ORCHESTRA, conductor INGAR BERGBY /(Nutida Pionjärer dubble concert) “This act was performed with such energy by the solo artists, barely giving the audience time to breathe. The commissioned work “Duel of hearts” showed how well Naranjo and Weurlander complement each other and “Utoya” managed to hit both the heart and the brain, just as it was intended.–Skånska Dagbladet
DUO NARANJO-WEURLANDER- INFINITY“Naranjo’s “Soleil”…with its closing drama of pounding piano and high-piches accordion, is enjoyably dramatic..” “…it´s in moments when the fire or pathos of tango come to the surface that it gets nearest to taking flight…” SONGLINES MAGAZINE (UK)
Movie score “The Ape Star”/”Apstjärnan” (Tania Naranjo & Minna Weurlander) It’s not often that you hear any meaningful amount of accordion in film music, let alone hear it dominate a score. This makes Apstjärnan a true rarity. Tania Naranjo and Minna Weurlander’s score for this Swedish language Scandinavian co-production is inspired, an endless source of energy and whimsy bolstered by its novel instrumentation. Weurlander (the band master and accordionist in Philip Glass’s upcoming Circus Days and Nights world premiere in Malmö) brings a bouncing vibrancy that Naranjo balances (and amplifies) with her delicate piano work. Though the intercontinental duo (Naranjo is Chilean while Weurlander is Finnish) have released several albums together, this is their first foray into film composing, but hopefully not their last! The Film Scorer
TANIA NARANJO Latin Trio “Every song swings in great fashion” Lira Magazine
TANIA NARANJO Latin Trio “Her very personal Latin-Jazz style swings very beautifully”
Sydsvenskan
TANIA NARANJO Latin Trio “As a theater of emotions, the album presents everything that a theater could desire, there is love, intrigue, friendship, betrayal, but also drama. ” Tania’s voice is full of emotion, deep-toned…” Radnai Rudolf- Hungary
DUO NARANJO-WEURLANDER“Tania Naranjo’s composition, Spirits, seduced me with her mysterious vocals.” Piteå Tidning
TANIA NARANJO –solo “The core of the concert, however, was Tania Naranjo, who expressed her love for Violeta Parra with her history and whole being…”
“The meeting on stage with Arja Saijonmaa was of course powerful. That Tania Naranjo also played piano virtuously throughout the evening and with her dark voice sounded both magnificently passionately but also serenely restrained hardly made it worse. ” Sydsvenskan
DUO NARANJO-WEURLANDER“Naranjos composition. Andes, was very beautiful with harmonies and a mood that had a lot in common with Piazzolla’s new tango”. Sydsvenskan
TANIA NARANJO-solo “Tania Naranjo gave a highly evocative concert”TV Skierniewice- Poland
TANIA NARANJO-solo SPD Noticias MEXICO/Interwiew by Héctor Palacio
DUO NARANJO-WEURLANDER“Tania accentuates with a liberal and yet powerful playfulness. Her vocals were also as beguiling as they were seductive.” Jönköpingsposten
DUO NARANJO-WEURLANDER The two musicians are exquisitely skilled instrumentalists and they convey their music forward with deftness “……”alternating heavyness and sharpness and indicating certain sadness …” Orkesterjournalen
DUO NARANJO-WEURLANDER“…Rythmical attacs along with melancholic melodies combine to create unique atmosphere. The piano and accordion coalesces as they were one instrument. Only in the performances of Marcel Azzolla and Lina Bosatti we have heard something as fine as this…” Accordion Institute FI
DUO NARANJO-WEURLANDER- INFINITY“…In their skilled hands the combination of piano and accordion is very fine and interesting. The piano’s impact sound and the singing of the melodious accordion contrasts each other, and they melt together astonishingly beautifully..” Finnish Accordion Institute
DUO NARANJO-WEURLANDER…The musical dialogue between Minna and Tania is total and it is renewed in some way every time you hear it…” Woodwind News
All tracks on the new album are composed by the duo, who move easily and freely between different genres such as tango nuevo, jazz, film music and art music. Their compositions are encompassing, providing space for the duo’s powerful emotional expressions. There is an afference and a presence, which give the impression that the music is being improvised in the now. The duo creates beautiful subtle notes, as in The farewell, as well as a rhythmic knockout in the song Impro. Lira Music Magazine
TANIA NARANJO-solo På svenska (Swedish) ARTIKEL /LIRA MAGASIN
TANIA NARANJO-solo “An intense feeling….Genuine playfulness and joy of singing.“- Ystad Allehanda
TANIA NARANJO-solo “With her rhythmic beautiful music and her warm charisma. Tania Naranjo sang and played herself straight into the hearts of the audience” Götene Newspaper
ORANGE TECH & LATIN ENSEMBLE “Tania Naranjo made a brilliant performance”Liberación
ORANGE TECH & LATIN ENSEMBLE: “Stram musik, disciplinerad, men suggestiv, viljestark och sugen på utbrytningar och improvisationer. En sorts ödesmättad värdighet styrde och band samman tillsammans”
med ”berättaren” Tania Naranjos sång, som fick bli omväxlande mörk dramatisk, flickaktig, teatral och rent lekfullt… Sydsvenskan
El Mercurio- Chile Article:
2023
2016
